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Description

Item details

Notice

Triptyque à l'huile, scènes de jeux sous les arbres sur fond ocre

Trois hauts panneaux, sertis chacun d'un cadre noir étroit, déroulent la même partition sur un fond ocre doré parcouru de craquelures. Sous des arbres aux frondaisons bleu-vert, des personnages en costume d'Asie jouent : l'un porte un compagnon sur son dos, une femme en robe mauve fait danser un jouet au bout d'un fil, un homme en bleu saute par-dessus une corde que tient une femme en jaune. Plus bas, chaque panneau répète une coquille bleue entre deux volutes dorées et une guirlande de roses. La lumière chaude du fond unifie l'ensemble.

Le triptyque, œuvre divisée en trois sections, naît dans l'art chrétien ancien et devient, dès le Moyen Âge, le format ordinaire du retable, avant que les artistes modernes ne s'en emparent hors de toute église, Francis Bacon parmi eux. Ici, le format sert un décor profane, où la symétrie des guirlandes répond à la liberté des scènes. Le marchand range l'ensemble sous l'Art d'Asie et le date du XXe siècle, sans nommer d'artiste, de pays ni d'atelier ; l'origine asiatique de ces toiles n'a pu être vérifiée.

Époque
XXe siècle, selon la fiche
Matière
Huile sur toile
Format
Triptyque, scènes animées, selon la fiche
Style
Art d'Asie, selon la fiche
Dimensions
L. 50 × H. 128 cm, selon la fiche
État
En l'état
Read in English

Three tall panels, each set in a narrow black frame, play out the same score on an ochre-gold ground crossed with craquelure. Beneath trees with blue-green foliage, figures in Asian dress are at play: one carries a companion on his back, a woman in a mauve robe spins a toy on a string, a man in blue leaps over a rope held by a woman in yellow. Lower down, each panel repeats a blue shell between two gilt scrolls above a garland of roses. The warm light of the ground binds the whole together.

The triptych, a work divided into three sections, was born in early Christian art and became, from the Middle Ages, the usual format of the altarpiece, before modern artists took it up far from any church, Francis Bacon among them. Here the format serves a secular decoration, in which the symmetry of the garlands answers the freedom of the scenes. The dealer files the set under Art of Asia and dates it to the twentieth century, naming no artist, country or workshop; the Asian origin of these canvases could not be verified.

Sources and points to validate
  • Le triptyque est une œuvre en trois sections, apparue dans l'art chrétien ancien, format standard des retables depuis le Moyen Âge, repris ensuite dans l'art moderne non religieux, par exemple par Francis Bacon. https://en.wikipedia.org/wiki/Triptych
To be validated
  • Artiste, signature, pays et atelier de production non indiqués ; le rattachement « Art d'Asie » est celui de la fiche et n'a pu être vérifié.
  • Le titre « Triptyques » est au pluriel : il n'est pas précisé s'il s'agit d'un seul triptyque ou de plusieurs.
  • Sujet des « scènes animées », composition, cadre, état de la toile et du vernis non décrits ; « en l'état » repris sans commentaire.
  • Dimensions sans unité dans la fiche, entendues en centimètres, sans précision sur ce qu'elles mesurent.
  • Notice volontairement générale, faute de source sur l'œuvre.

Notice drafted with the assistance of AI based on the dealer’s listing and cited public sources. Attributions and dating are subject to validation.

Triptyques, huile sur toile "scènes animées"

Condition & restorations

Condition as stated
En l'état
Reported defects
Not detailed in the listing. This does not mean there are no flaws.
Restorations
No history provided. This does not mean that there is no restoration.
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