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Description

Item details

Notice

Lampe en grès à long col, glaçure cerclée de bleu turquoise

Tout part d'une goutte : une panse ronde qui s'étire en un col très long et très mince, jusqu'à la douille dorée. La surface est cerclée de fines stries horizontales où se succèdent le turquoise, le bleu profond et le vert tendre, rehaussés de filets dorés, et la glaçure, légèrement mouchetée, garde un aspect mat plutôt que vitreux. Un socle de métal doré à deux ressauts répond à ces reflets. L'abat-jour cylindrique en toile écrue calme l'ensemble et laisse la couleur au pied.

Le grès se cuit entre 1 100 et 1 300 degrés environ, ce qui lui donne un corps dense et imperméable. La Chine le maîtrise dès la dynastie des Han, et le XXe siècle en fait l'une des matières centrales de la poterie d'atelier américaine. Dans l'Indiana, Gordon et Jane Martz, diplômés d'Alfred University en 1951, dirigent Marshall Studios à Veedersburg et y produisent des lampes en grès à col de noyer : un repère du genre, sans lien établi avec cette lampe, dont aucun fabricant n'est nommé. L'origine américaine est celle que donne le marchand.

Époque
Années 1950-1960, selon la fiche
Matière
Grès
Origine
Américaine, selon la fiche
Dimensions
H. 93 cm, diam. 36 cm, selon la fiche
État
En l'état
Read in English

Everything begins with a drop: a round body drawn up into a very long, very slender neck that rises to a gilt socket. The surface is ringed with fine horizontal striations in which turquoise, deep blue and soft green follow one another, picked out with golden lines, and the lightly speckled glaze keeps a matt rather than glassy look. A stepped base in gilt metal answers those glints. The cylindrical shade in oatmeal fabric quiets the whole and leaves the colour to the stem.

Stoneware is fired at roughly 1,100 to 1,300 degrees Celsius, which gives it a dense, waterproof body. China mastered it as early as the Han dynasty, and the twentieth century made it one of the central materials of American studio pottery. In Veedersburg, Indiana, Gordon and Jane Martz, Alfred University graduates of 1951, ran Marshall Studios and made stoneware lamps with walnut necks: a landmark of the genre, with no established link to this lamp, for which no maker is named. The American origin is the one given by the dealer.

Sources and points to validate
  • Le grès est une poterie cuite à environ 1 100 à 1 300 °C, imperméable ; la Chine en produit dès les Han et il a pris de l'importance dans la poterie d'atelier américaine du XXe siècle. https://en.wikipedia.org/wiki/Stoneware
  • Gordon et Jane Martz, diplômés d'Alfred University en 1951, ont dirigé Marshall Studios à Veedersburg (Indiana) et produit des lampes en grès avec cols en noyer. http://martzpots.org/gordjane/index.htm
To be validated
  • Fabricant, atelier et signature non indiqués : aucune attribution à Marshall Studios ou à un autre atelier n'est avancée.
  • Glaçure, couleur, fêlures, éclats, montage électrique et abat-jour non décrits ; l'état « en l'état » est repris sans commentaire.
  • Les mesures sont données sans unité dans la fiche, entendues en centimètres.
  • L'origine américaine est une indication de la fiche, non vérifiée.

Notice drafted with the assistance of AI based on the dealer’s listing and cited public sources. Attributions and dating are subject to validation.

Lampe américaine en grès, années 1950-1960.

Condition & restorations

Condition as stated
En l'état
Reported defects
Not detailed in the listing. This does not mean there are no flaws.
Restorations
No history provided. This does not mean that there is no restoration.
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Lampe américaine en grès, années 1950-1960.

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