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Description

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« L'éveil », buste de femme en fonte d'après C. Belleuse

Elle se retourne en riant, le menton haut, les lèvres entrouvertes sur les dents, comme saisie à l'instant où le sommeil la quitte. La chevelure relevée en chignon libère des mèches qui roulent sur les épaules, et un drapé glisse en biais sur la poitrine avant de s'attacher à l'épaule. La surface brune, grenue, piquetée de petites cavités, laisse affleurer par endroits des reflets verdâtres. Le buste repose sur un piédouche à base carrée, qui en tempère l'élan.

Le modèle est donné d'après C. Belleuse, formule qui désigne une reprise et non une œuvre originale du sculpteur. Le nom peut renvoyer à la famille Carrier-Belleuse, sans que la galerie le précise. Albert-Ernest Carrier-Belleuse, né en 1824 et mort en 1887, sculpteur prolifique du Second Empire, a multiplié les œuvres d'édition, et la fonderie d'art du Val d'Osne a collaboré avec lui, la fonte permettant une large diffusion de sculptures résistantes. Aucun lien n'est établi entre ce buste du XXe siècle et ces ateliers, et le titre L'éveil n'a pas été retrouvé dans les sources consultées.

Époque
XXe siècle, selon la fiche
Matière
Fonte
Technique
Buste en fonte d'après un modèle de C. Belleuse, selon la fiche
Dimensions
Hauteur 58 cm, selon la fiche
État
En l'état
Read in English

She turns with a laugh, chin raised, lips parted over her teeth, as if caught at the moment sleep lets her go. Hair gathered into a chignon releases locks that roll over the shoulders, and a drape slips diagonally across the breast before fastening at the shoulder. The brown, granular surface, pitted with small cavities, lets greenish glints come through in places. The bust rests on a square-based socle that steadies its movement.

The model is given as after C. Belleuse, a wording that points to a reproduction rather than an original work by the sculptor. The name may refer to the Carrier-Belleuse family, though the gallery does not say so. Albert-Ernest Carrier-Belleuse, born in 1824 and died in 1887, a prolific sculptor of the Second Empire, multiplied editioned works, and the Val d'Osne art foundry worked with him, cast iron allowing durable sculpture to circulate widely. No link is established between this twentieth-century bust and those workshops, and the title L'éveil could not be found in the sources consulted.

Sources and points to validate
  • Albert-Ernest Carrier-Belleuse (1824-1887), sculpteur très prolifique du Second Empire, a multiplié les œuvres d'édition, statuettes, horloges, vases. https://www.universalis.fr/encyclopedie/albert-ernest-carrier-belleuse/
  • La fonderie d'art du Val d'Osne collabore avec des artistes dont Albert Ernest Carrier-Belleuse, et la fonte d'art permet une large diffusion de sculptures résistantes. https://www.marcmaison.fr/architectural-antiques-resources/fonderie-art-val-dosne-statue-fonte-fer-sculpture
To be validated
  • Le nom C. Belleuse est ambigu : Albert-Ernest Carrier-Belleuse et des membres de sa famille portent ce nom ; l'identification n'est pas établie par la fiche.
  • Le titre L'éveil n'a pas été retrouvé dans les sources consultées : le modèle d'origine n'est pas identifié.
  • Date de fonte, fonderie, présence de marques et éventuelle numérotation inconnues ; la fiche date l'objet du XXe siècle.
  • Surface, patine ou peinture, et état de la fonte non détaillés.

Notice drafted with the assistance of AI based on the dealer’s listing and cited public sources. Attributions and dating are subject to validation.

C. Belleuse d'après, buste en fonte "L'éveil"

Condition & restorations

Condition as stated
En l'état
Reported defects
Not detailed in the listing. This does not mean there are no flaws.
Restorations
No history provided. This does not mean that there is no restoration.
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C. Belleuse d'après, buste en fonte "L'éveil"

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