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Description

Item details

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Seau à biscuits Art nouveau à décor d'iris, attribué à Baccarat

Sur un verre clair, à peine bleuté, givré d'un fin semis de fougères, un iris déploie ses pétales violine rehaussés d'or. Sa tige s'étire en coup de fouet et se prolonge en volutes cernées d'or jusqu'au pied du seau. La lumière traverse le fond dépoli et bute sur les aplats sombres de la fleur, qui semblent posés en relief. Une monture de métal doré ferme l'ensemble, avec un couvercle à bouton tourné et une anse ajourée aux courbes ondulantes.

Les seaux à biscuits, récipients de table à couvercle, comptent parmi les formes que déclinent les verriers Art nouveau vers 1900. Des modèles au pavot sont documentés chez Baccarat, d'autres à l'iris chez Legras. Fondée en 1764 avec l'autorisation de Louis XV, Baccarat devient manufacture de cristal en 1816. La galerie attribue cette pièce à la maison et la décrit en pâte de verre, technique de pâte cuite au moule associée à Henri Cros, Gabriel Argy-Rousseau ou Amalric Walter plutôt qu'à Baccarat. La matière comme l'attribution restent à confirmer sur l'objet.

Époque
Art nouveau, XXe siècle selon la fiche
Matière
Pâte de verre selon la fiche, à vérifier
Style
Art nouveau, décor d'iris
Dimensions
Diamètre 15 cm, hauteur 26,5 cm, selon la fiche
État
En l'état
Read in English

On clear glass, barely tinged with blue and frosted with a fine scatter of ferns, an iris unfolds petals of deep violet heightened with gold. Its stem stretches in a whiplash curve and continues in gold-edged scrolls down to the foot of the bucket. Light passes through the frosted ground and meets the dark flat areas of the flower, which seem to stand in relief. A gilt metal mount closes the whole, with a lid topped by a turned knob and an openwork handle of undulating curves.

Biscuit buckets, lidded table vessels, were among the forms Art Nouveau glassmakers explored around 1900. Models with poppies are documented at Baccarat, others with irises at Legras. Founded in 1764 with the authorisation of Louis XV, Baccarat became a crystal manufactory in 1816. The gallery attributes this piece to the house and describes it as pâte de verre, a technique of glass paste fired in a mould associated with Henri Cros, Gabriel Argy-Rousseau and Amalric Walter rather than with Baccarat. Both the material and the attribution remain to be confirmed on the piece.

Sources and points to validate
  • Baccarat est fondée en 1764 avec l'autorisation de Louis XV et devient manufacture de cristal en 1816. https://fr.wikipedia.org/wiki/Baccarat_(cristallerie)
  • La pâte de verre, technique de glace en pâte cuite au moule, est associée à Henri Cros, Gabriel Argy-Rousseau, Amalric Walter, François Décorchemont ; Baccarat n'y figure pas. https://libguides.cmog.org/patedeverre/history
  • Des seaux à biscuits Art nouveau au décor de pavots sont documentés chez Baccarat et à décor d'iris chez Legras, vers 1900. https://www.expertissim.com/baccarat-seau-biscuits-pavots-cristal-bleu-celeste-double-prune-or-epoque-art-nouveau-12296938 ; https://www.selency.fr/produit/564TE1VU/seau-a-biscuits-art-nouveau-pot-en-verre-emaille-legras-les-iris-violets.html
To be validated
  • Matière à vérifier : la fiche indique pâte de verre, mais Baccarat est surtout connue pour son cristal, et des seaux à biscuits Art nouveau de la maison sont décrits par d'autres marchands en cristal doublé gravé à l'acide.
  • Attribution à Baccarat publiée par la galerie, sans validation indépendante ; marque, étiquette ou signature non mentionnées.
  • Monture, couvercle, anse et état non décrits au-delà de la mention en l'état.
  • Datation : la fiche indique Art nouveau et le XXe siècle, sans année.

Notice drafted with the assistance of AI based on the dealer’s listing and cited public sources. Attributions and dating are subject to validation.

Seau à biscuits à décor d’iris, Baccarat, Art Nouveau

Condition & restorations

Condition as stated
En l'état
Reported defects
Not detailed in the listing. This does not mean there are no flaws.
Restorations
No history provided. This does not mean that there is no restoration.
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