ANTIQUES · ART · DESIGN · INDEPENDENT DEALERS
Proposer une pièce
One piece, one style, one desire
Proposer une pièce

Quelques photos suffisent.

THE COLLECTIONNouveautés
Furniture
Seating
ChairsArmchairsSofasStoolsOther seating
Tables
Dining tablesCoffee tablesDesksOther tables
Storage furniture
ConsolesWardrobesBookcasesOther storage
Lighting
Chandeliers
Pendant lights
Sconces
Lamps
Floor lamps
Decorative arts
Paintings
Other sculpture
Carved stone and wood
Bronzes
Drawings and works on paper
Watercolours
Prints
Photographs
Ceramics
Mirrors and trumeau mirrors
Other decorative arts
Jewellery
Militaria
Fashion
Clothing
Handbags
Shoes
Accessories
YOUR VISION, YOUR PROJECT
Our dealersMy favouritesPersonal guidanceSpecialized transportThe letterBecome a dealer
1 photo
Description

Item details

Notice

Fleurs dans une vasque godronnée, huile sur panneau du XVIIe siècle

Sur un fond brun presque noir, une vasque godronnée à piédouche, d'un ton de terre cuite, déborde de fleurs. Roses pâles ou rosées, tulipes panachées de rouge, boules neigeuses, grappes bleues, un lys orangé et des clochettes sombres posées sur l'entablement composent une abondance savamment désordonnée. Les pétales clairs captent la lumière et avancent vers le regard. Un fin réseau de craquelures parcourt la surface, et un joint vertical du panneau se devine au centre. Un large cadre doré, sculpté de rinceaux, entoure l'ensemble.

Autour de 1600, dans les Pays-Bas, le bouquet devient un sujet à part entière. Ambrosius Bosschaert l'Ancien, né en 1573 et mort en 1621, compte parmi les premiers à le traiter ainsi et fait de Middelburg le principal foyer de la peinture de fleurs des Provinces-Unies. Jan Brueghel l'Ancien peint lui aussi des bouquets à l'huile sur panneau de chêne, réunissant des fleurs de saisons différentes, parfois chargées d'une lecture religieuse. Le genre, étudié par le Metropolitan Museum pour l'Europe du Nord entre 1600 et 1800, sert ici de repère. Aucun peintre ni école n'est nommé ; la fiche retient seulement le XVIIe siècle.

Époque
XVIIe siècle, selon la fiche
Matière
Huile sur bois
Sujet
Nature morte aux fleurs
Style
Autre style selon la fiche, sans école indiquée
Dimensions (selon la fiche)
l. 100 × h. 130 cm, selon la fiche
État
En l'état, selon la fiche
Read in English

Against a brown ground close to black, a gadrooned urn on a spreading foot, the colour of terracotta, overflows with flowers. Pale and pink roses, tulips streaked with red, snowy globes, blue clusters, an orange lily and dark bells laid on the ledge make an abundance in studied disorder. The pale petals catch the light and come forward to the eye. A fine web of craquelure runs across the surface, and a vertical joint in the panel can be made out at the centre. A broad gilt frame, carved with scrolling foliage, surrounds the whole.

Around 1600, in the Low Countries, the bouquet became a subject in its own right. Ambrosius Bosschaert the Elder, born in 1573 and died in 1621, was among the first to treat it so, and made Middelburg the leading centre of flower painting in the Dutch Republic. Jan Brueghel the Elder also painted bouquets in oil on oak panel, bringing together flowers of different seasons that could carry a religious reading. The genre, studied by the Metropolitan Museum for Northern Europe between 1600 and 1800, serves here as a point of reference. No painter or school is named; the listing gives only the seventeenth century.

Sources and points to validate
  • Ambrosius Bosschaert l'Ancien (1573-1621) est l'un des premiers peintres à traiter la nature morte florale comme genre autonome et fit de Middelburg le principal centre de la peinture de fleurs dans les Provinces-Unies. https://en.wikipedia.org/wiki/Ambrosius_Bosschaert
  • Jan Brueghel l'Ancien a peint des bouquets à l'huile sur panneau de chêne, associant des fleurs de saisons différentes, avec des lectures symboliques religieuses possibles. https://www.sothebys.com/en/buy/auction/2021/old-masters-evening-sale/a-lavish-still-life-of-many-flowers-in-a-2
  • La nature morte du Nord de l'Europe entre 1600 et 1800 forme un genre étudié par le Metropolitan Museum. https://www.metmuseum.org/essays/still-life-painting-in-northern-europe-1600-1800
To be validated
  • Aucun artiste, atelier ni école indiqué : la datation XVIIe siècle est celle de la fiche, sans expertise indépendante.
  • Origine géographique (Flandre, Provinces-Unies ou autre) non précisée ; le paragraphe historique décrit le genre, pas ce tableau.
  • Dimensions données sans unité (100 x 130), non vérifiées.
  • Support, restaurations, repeints et état de la couche picturale non détaillés : la fiche dit seulement en l'état.
  • Titre abrégé 17th, sans mention de signature ni d'encadrement.

Notice drafted with the assistance of AI based on the dealer’s listing and cited public sources. Attributions and dating are subject to validation.

Huile sur bois "nature morte aux fleurs" XVIIe

Condition & restorations

Condition as stated
En l'état
Reported defects
Not detailed in the listing. This does not mean there are no flaws.
Restorations
No history provided. This does not mean that there is no restoration.
Request clarification
Shortlist

Similar items to

Huile sur bois "nature morte aux fleurs" XVIIe

Show more

6 500 €

Acheter cette pièce
Collector’s Reserve · CONVERSATIONS

Échanger avec l’équipe

Checking your saved choices…

YOUR VISIT, YOUR CHOICES

Just what suits you.

You can accept, refuse, or choose each use. The catalog and contact with dealers remain accessible in all cases.

Your choices are saved on this device. Audience measurement and observed personalization are only activated after your explicit consent. No choice triggers an email.

The legal identity of the data controller, their contact details, the retention periods, the recipients, and the legal bases are yet to be specified. This information must be completed before activating the optional features.

Checking your saved choices…

Browser memory is unavailable. Optional features remain inactive; you can continue browsing.

01 · The essential

Always active

Run the site, secure sessions, and remember your privacy choices.

Data, use and conservation
Data
Selection by purpose, text version, selection date and withdrawal date, with a browser technical identifier when server saving works. Account sessions remain separate.
Usage
Find your selections on your next visit. No taste profile is created.
Conservation
Choice retained in this browser until it is cleared. Durations of the choice and its server-side proof to be formalized; they are not a collection authorization.
Recipients
Collector’s Reserve retains proof of choice when server logging is available. The identity of the data controller and the list of service providers to be completed in the privacy policy.

Understand useful pages and navigation difficulties, only after your consent to this use.

Data, use and conservation
Data
After consent: pages viewed, timestamp and source of visit (social network, assistant or launch campaign, read in closed lists, never the full address), pages and listings shared, links followed to our brand pages or to a dealer’s website and social networks, impressions and clicks on the home page dealer carousel (with their rank), with a possible pseudonymous identifier. Without consent, no audience event is collected.
Usage
Traffic and user journey statistics. No activation of advertising or email.
Conservation
Durations of events and aggregates to be validated before activation.
Recipients
Collector’s Reserve authorized team; host and any service providers to be specified before activation.

Allow the use of your browsing history to suggest items. New Arrivals always keep their chronological order.

Data, use and conservation
Data
After consent: viewed items, searches, filters and favorites. Without consent, no personalization data is collected.
Usage
Explained suggestions. Your voluntarily declared interests remain separate from observations. No sensitive inferences or wealth estimates.
Conservation
Duration and erasure of the observed profile to be formalized before activation. Withdrawal must immediately stop this use.
Recipients
Collector’s Reserve authorized team; host and any service providers to be specified before activation.

04 · Marketing and partners

Unused

No advertising or partner tracking is enabled by these choices.

Data, use and conservation
Data
No cookies, pixels or advertising identifiers added.
Usage
No usage enabled. Any future usage will require a separate selection.
Conservation
No subject.
Recipients
No advertising recipient for these choices.

These choices do not subscribe you to any emails. A subscription requires a separate consent and can be revoked separately.

The selection applies to this browser. It does not create an account and does not sync across your devices.