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Description

Item details

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Instruments de musique et vin, nature morte à l'huile et collage

Un bleu outremer franc tient le haut de la toile, et contre lui bascule en diagonale un instrument aux plans clairs, guitare ou mandoline, dont les cordes sont posées en traits épais de gris et de blanc. À droite, une bouteille porte en lettres peintes le mot VIN ; en bas à gauche, les lettres MUS et une clé de sol font entrer la musique par l'écriture. Ocre, gris et jaune soufre bâtissent le fond en facettes. En bas à droite se lit la signature A. Hofman, et une caisse noire encadre le tableau.

Le sujet a derrière lui une longue lignée, puisque la peinture néerlandaise du XVIIe siècle associait déjà les instruments de musique à la nature morte. En septembre 1912, Braque réalise le premier papier collé, et Picasso suit ; celui-ci colle même une toile cirée imitant le cannage dans sa Nature morte à la chaise cannée, et guitares, partitions et bouteilles reviennent sans cesse dans ces œuvres. Le marchand donne le tableau à Aad Hofman. Or le peintre néerlandais de ce nom, né à Vlaardingen en 1944, est un réaliste des matières usées, et l'auteur reste à confirmer.

Époque
XXe siècle, selon la fiche
Technique
Huile sur toile et collage, selon la fiche
Auteur
Aad Hofman, selon la fiche
Dimensions
Largeur 61 cm, hauteur 42 cm, selon la fiche
État
En l'état, selon la fiche
Read in English

A frank ultramarine holds the top of the canvas, and against it an instrument built of pale planes, guitar or mandolin, tips on the diagonal, its strings laid in thick strokes of grey and white. To the right a bottle bears the painted word VIN; lower left, the letters MUS and a treble clef bring music in through writing. Ochre, grey and sulphur yellow build the ground in facets. The signature A. Hofman can be read at lower right, and a black box frame encloses the picture.

The subject has a long lineage, since Dutch painting of the seventeenth century already set musical instruments in still life. In September 1912 Braque made the first papier collé, and Picasso followed; he even pasted an oilcloth printed with caning into his Still Life with Chair Caning, and guitars, sheet music and bottles recur throughout these works. The dealer gives the painting to Aad Hofman. Yet the Dutch painter of that name, born in Vlaardingen in 1944, is a realist of worn materials, and the author remains to be confirmed.

Sources and points to validate
  • Le papier collé naît en 1912 avec Braque (septembre), puis Picasso ; Picasso colle aussi une toile cirée imitant le cannage dans Nature morte à la chaise cannée ; guitares, partitions et bouteilles reviennent dans ces œuvres. https://www.centrepompidou.fr/es/ressources/oeuvre/jQ7bKXL ; https://www.universalis.fr/encyclopedie/collage/2-les-papiers-colles-un-nouveau-langage/
  • Les natures mortes aux instruments de musique existent dès le XVIIe siècle dans la peinture néerlandaise. https://www.boijmans.nl/collectie/kunstwerken/3791/stilleven-met-muziekinstrumenten-boeken-en-sculptuur ; https://www.mijnnieuweschilderij.nl/stilleven-met-muziekinstrumenten-en-wijn-onbekende-schilder-circa-1650/
  • Aad Hofman, peintre néerlandais né à Vlaardingen en 1944, formé à la Vrije Academie de La Haye, réaliste et auteur de natures mortes de matériaux usés, exposé à la galerie Mokum d'Amsterdam. https://huiskamermuseum.nl/aad-hofman/ ; https://elle-belle10.livejournal.com/1482979.html?thread=14553059
To be validated
  • Attribution à Aad Hofman publiée par la Galerie des Minimes ; validation indépendante non réalisée. Le sujet et la technique (collage, instruments et vin) ne correspondent pas à ce que les sources consultées décrivent de l'œuvre du peintre néerlandais né en 1944 : homonymie ou œuvre atypique possibles.
  • Signature, date, nature des éléments collés, cadre et éventuelle inscription non renseignés ; unité des cotes lue en centimètres.
  • Datation « XXe siècle » seule, non documentée ; état en l'état.

Notice drafted with the assistance of AI based on the dealer’s listing and cited public sources. Attributions and dating are subject to validation.

Huile sur toile et collage, « Instruments de musique et vin », par Aad Hofman

Condition & restorations

Condition as stated
En l'état
Reported defects
Not detailed in the listing. This does not mean there are no flaws.
Restorations
No history provided. This does not mean that there is no restoration.
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Huile sur toile et collage, « Instruments de musique et vin », par Aad Hofman

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