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Description

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Bonbonnière en ananas de céramique émaillée, Italie, 1964

Un émail jaune d'or, strié de brun et d'orangé, coule sur les écailles en relief du fruit et s'accumule dans leurs creux, où il prend une teinte plus profonde. Le couvercle se détache au tiers supérieur, sur une ligne presque invisible, et porte le bouquet de feuilles vert vif qui sert de prise. Ces feuilles, larges et recourbées, sont modelées avec une liberté qui tranche sur la régularité du corps. La glaçure très brillante renvoie la lumière en petites taches blanches, comme sur un fruit mouillé.

Le drageoir, ancêtre de la bonbonnière, sert dès le XIIIe siècle à présenter dragées et épices, et la bonbonnière se fera ensuite de verre, de cristal, de faïence ou de porcelaine. L'ananas a sa propre histoire : dans l'Angleterre du XVIIIe siècle, le fruit coûte si cher que des familles aisées le louent parfois pour une occasion, et son image gagne la littérature, les arts et jusqu'à l'architecture, comme à Dunmore. Dès le milieu du siècle, Greatbatch et Wedgwood produisent des poteries à motif d'ananas. Aucun atelier n'est cité pour cette pièce italienne de 1964.

Époque
1964, selon la fiche
Matière
Céramique, selon la fiche
Origine
Italie, selon la fiche
Style
Design années 50-60, selon la fiche
Dimensions
Hauteur 30 cm, diamètre 17 cm, selon la fiche
État
En l'état, selon la fiche
Read in English

A golden yellow glaze, streaked with brown and orange, runs over the raised scales of the fruit and pools in their hollows, where it deepens in tone. The lid lifts away at the upper third along an almost invisible line and carries the spray of bright green leaves that serves as a handle. Broad and curling, those leaves are modelled with a freedom that contrasts with the regularity of the body. The high gloss returns the light in small white flecks, as on a wet fruit.

The drageoir, forerunner of the bonbonnière, was used from the thirteenth century to present sugared almonds and spices, and the bonbonnière would later be made in glass, crystal, earthenware or porcelain. The pineapple has a history of its own: in eighteenth century England the fruit was so costly that well-off families sometimes rented one for an occasion, and its image spread through literature, art and even architecture, as at Dunmore. From the middle of that century Greatbatch and Wedgwood made pineapple-pattern pottery. No workshop is named for this Italian piece of 1964.

Sources and points to validate
  • Le drageoir, ou bonbonnière, est attesté dès le XIIIe siècle pour présenter dragées et épices ; les bonbonnières sont en verre, cristal, faïence ou porcelaine. https://fr.wikipedia.org/wiki/Bonbonni%C3%A8re
  • L'ananas, fruit rare et coûteux au XVIIIe siècle en Angleterre, était parfois loué pour une occasion par des familles aisées ; son image apparaît en littérature, en art et en architecture, comme à Dunmore. https://www.historicmysteries.com/history/pineapple-status-symbol/25302/
  • Des poteries à motif d'ananas sont produites dès le milieu du XVIIIe siècle, notamment chez Greatbatch et Wedgwood. https://www.antiquepottery.co.uk/pineapple-pattern-lead-glazed-creamware-pottery-teapot-staffordshire-mid-18th-century/
To be validated
  • Aucun atelier, créateur ni marque cités : la recherche n'a rien pu établir sur cet objet précis, seulement sur le type de la bonbonnière et le motif de l'ananas.
  • Couvercle, couleur, émail et date de 1964 (source de la datation inconnue) non documentés ; unité des cotes lue en centimètres.
  • Le style Design années 50-60 est celui de la fiche. État en l'état, restaurations éventuelles inconnues.

Notice drafted with the assistance of AI based on the dealer’s listing and cited public sources. Attributions and dating are subject to validation.

Bonbonnière en forme d'ananas en céramique, Italie, 1964

Condition & restorations

Condition as stated
En l'état
Reported defects
Not detailed in the listing. This does not mean there are no flaws.
Restorations
No history provided. This does not mean that there is no restoration.
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